Searching for the Best Camera for Photojournalists? You’ve come to the right place.
From the plethora of options available in the market, choosing the right camera for photojournalists can be a challenging part.
Having said that, I have done the hard work for you and have crafted this list of worthwhile cameras for journalists ranging from cheap to expensive allowing you to choose the right equipment for your budget and needs.
Let’s see the top camera recommendations for you…
Best Camera for Photojournalists
Let’s take a quick look at all the possible options available for you to help you make an informed decision.
Seven best cameras for photojournalism candidates
1. Canon EOS 5D Mark IV Full Frame Digital SLR Camera – Best Canon digital camera for journalists
Canon is a popular camera manufacturer and its 5D line of cameras has revolutionized the photography industry. Today, our top pick for photojournalism is Canon EOS 5D Mark IV, a full-frame DSLR camera that leaves every contender behind regarding its functions, features, performance, and quality. The improved autofocus, improved sensitivity of the sensor, and 4K resolution make it the best camera for photojournalism.
For the intrepid freelancer, the Canon EOS 5D Mark IV comes with a 7fps burst shoot model to smoothly capture sports action shots. It works perfectly in low-light situations and has a dynamic range of ISO 50 up to 102,400.
The sturdy build makes it a solid camera for photojournalism. Having this camera in hands it like a badge which says, ” I am a photojournalist and I know what I am doing”.
One thing that you may not like about this camera is the hefty price tag. This pricey gadget is not a good option to be owned by a student who usually get stolen or sometimes smashed in an accident. The higher price tag has its pros and cons, but it’s a robust camera and has great service and support by Canon.
You may find this camera ideal for stills or burst, to ensure top-quality production in Vlogs or TV interviews. At least, you may be satisfied with the results after shelling out the hard-earned money.
My job is to tell you the exact pros and cons of this camera to help you decide whether or not this camera is suitable for you or not. Honestly speaking, the audio is basic plus the moving handheld shots are no great either whatever the marketing of the product says ( their job is to sell the product ).
It seems the price is too much for the features you don’t even need like DCI capabilities which are usually required for film shoots or 4K TV capabilities.
Finally, the Canon EOS 5D Mark IV may be a hefty price unit but it’s the top spot camera for still photographs and if you know the meaning of “A picture is worth more than 1,000 words”, You’ll understand investing in this camera will be your best decision ever as a photojournalist.
Outstanding stills quality
The 5D brand image means clients will take your seriously
There are cheaper options for the same job
Nikon D5 DSLR – Best Nikon digital camera for journalists
The second-best option for photojournalists is Nikon D5, a mirror image of Canon “5D”. Canon and Nikon, both are popular players of the camera industry, and both have earned a lot of reputation with the help of top quality camera production.
The Nikon D5 is a powerful camera for photojournalists that is not a cheaper option. It comes with a 20.8 MP sensor that allows this bad boy to deliver outstanding results. The smart sensor design gives a solid low light performance with minimal sensor noise, highly sophisticated autofocus, clever metering, and a handful of gizmos around image processing.
All the features, options, and specs combined give the top-notch photo quality that photojournalists are looking from a camera. Now, you need deep pockets to afford one of these bad boys as it comes at an expensive price tag. If you’re a professional journalist, I would suggest investing in this unit to enjoy every single still photo you take with it.
Ideal for photojournalism
Sony is more into filmmaking cameras, than still photography cameras that’s why I had to choose their product at the third number but that doesn’t mean there is no option from Sony for Photojournalists. Although they are not directly producing still photography cameras like Nikon or Canon, but they are into business with a great reputation.
The Sony a9 is a full-frame mirrorless camera and an expensive unit that comes with all the bells and whistles that you expect from a great camera for photojournalists. It features Sony’s highly rated stacked CMOS sensor enabling you to take burst shots with autofocus.
Most of the time, Cinema halls are equipped with Sony digital movie cameras which you enjoy with popcorn all the time. So being later in the list doesn’t make Sony a less powerful brand.
Every single user who switched from 5D or D5 to Sony cameras rated the autofocus of Sony camera better in low light. Similarly, you have a handy “touch to focus” facility enabled, which is the flip-out monitoring screen. As Sony a9 is a mirrorless camera so you may not experience the monitoring constraints of a DSLR. Similarly, you get a WYSIWYG electronic viewfinder that is not possible for a DSLR as well.
That said, Sony a9 is a solid camera that allows you to do your customizations and configurations with the camera. Either you are a beginner or a professional, the Sony a9 isn’t gonna give you a hard time for the first time you use it.
Easy to use
Stunning sensor technology
Battery life could be improved
Fujifilm X-T3 Mirrorless Camera – Best budget photojournalism camera
Aforementioned, there are a handful of other brands which you can try to get the same quality as above mentioned cameras without breaking the bank. The Fujifilm X-T3 Mirrorless Camera is one of those cameras and a strong contender of Nikon and Canon offering almost the same features of the above-mentioned cameras in half of less price than those models.
If you’re a beginner, or a student then it’s recommended to get your hands on this bad boy as it is a sensible choice as a backup camera. The Fujifilm X-T3 Mirrorless Camera comes with a 26.1 MP CMOS sensor, autofocus is brilliant, and ergonomics are great making this unit a worthwhile pick for the money.
The best part is the water-proofed sealed magnesium body. The lower price tag makes it a good option to use for risky assignments. The prime advantage of a mirrorless camera is the tilting out LCD touchscreen allowing you to capture sequences rather than stills.
Battery runs out quickly that’s the case with all mirrorless cameras
Now, you do not have to spend a dime for a camera for still photographs, when you have considerable options available in much reasonable and cheaper price tags. The Nikon D850 DSLR is a fairly priced model that comes with 45.7 BSI-CMOS that is better than 20.8 MP CMOS of D5.
It may be smaller in size and lighter in weight, but it’s not outperformed by anyone of the above-mentioned units. Compared to this the D5 is considerably easy to use, has better burst mode shooting and longer battery life.
Overall, the Nikon D850 DSLR is a fairly priced DLSR camera that comes with advanced bells and whistles making it a top-notch option for photojournalists.
Compact and lightweight
We started with bigger and heavier units and we will send it to smaller and lighter units. The Canon EOS RP Mirrorless Camera is a little yet effective camera that is a bit cheaper and comes with all the bells and whistles that you expect from a good camera for photojournalism.
The price tag is good, dynamic range or autofocus capabilities are of 5D allowing you to enjoy professional photography without spending a dime. So without breaking the bank, you can enjoy decent photos.
Small and cheaper
Lacks full capabilities of 5D
Finally, the last option on our list is Nikon D7500, a fine-quality DSLR that’s less than a 1000 bucks and is the ideal camera for photojournalist candidates. The shape is nice, the price tag is fair, and the performance is superior, which makes it hit the sweet spot.
The Nikon D7500 features a moderate sensor and less fully-featured auto-focus compared to high-end Niko cameras. But it’s good for enthusiast-level nerds who are doing photojournalism for occasional times
Not good for professionals